Prime Mover

(noun); The source of power for propulsion

Prime Mover Theatre Company is dedicated to the advancement of marginalized artistic voices through advocacy, artist training, and large-scale co-production.

Who we are.

Ray Hogg (Artistic Director, Director, Choreographer)

Ray Hogg - Artistic Director

Widely celebrated for his rigorous commitment to equity, diversity, and inclusion in large-scale production, Ray Hogg is the founder and Artistic Director of the Prime Mover Theatre Company.

“I envision Prime Mover Theatre Company developing and championing excellent artists, promoting new works, and assembling production partners from flagship organizations across the country. “

- Ray Hogg

In addition to his work as Artistic Director at Prime Mover Theatre Company, Ray Hogg is currently Artistic Affiliate at Halifax’s Neptune Theatre, and Deputy Artistic Director for The Musical Stage Company in Toronto.

He has over 20 years of artistic, educational and leadership experience in the most celebrated opera, dance, and theatre companies around the world. His work as a dancer, actor, master teacher, producer, director, and choreographer has taken him across Europe, The United States, and Canada. He has created for and performed on stages as diverse as Neptune Theatre in the east, The Arts Club Theatre Company in the west and many others in between.

From 2012-2017,  Ray Hogg was the Artistic Director of Winnipeg’s 2,300 seat theatre, Rainbow Stage  During his tenure at Rainbow Stage he ushered in an era of unprecedented artistic growth and excellence, forged acclaimed partnerships with flagship institutions such as the Winnipeg Symphony Orchestra and Canada’s Royal Winnipeg Ballet, and spearheaded the creation of twelve nationally recognized professional arts training programs.

 
 

Our Team

Advisory Council

Nova Bhattacharya, Avery Jean Brennan, Tracey Flye, Anand Rajaram, Miquelon Rodriguez, Erika Santillana, Alten Wilmot

Board of Directors

 

Noni Edmead

Noni's passion for the arts has humble beginnings with her classical training in piano and flute and that time she played Society Max in Guys and Dolls. Surrounded by a gifted immediate and extended family, Noni was fortunate to have parents who embraced and encouraged her love for all things creative. She brings an IT development background in Business Intelligence, dabblings in Web Development, and a keen interest in Graphic Design. Noni's commitment to helping others is complemented by her dedication to matters of equity, diversity, inclusion, and access. She believes that art is life and every artist deserves the opportunity to create in a supportive and inspiring environment.

 

Paul Beauchamp

Paul is a Toronto based producer and arts administrator. A graduate from the Ryerson University Performance Production program, he began his career stage managing with Mirvish Productions, Luminato, Tarragon Theatre, Soulpepper, and The Musical Stage Company for the 2012 production of Caroline, or Change. Paul also produced multiple award-winning international productions for the Luminato Festival over his 6 seasons with the organization. For five years, Paul acted as the inaugural General Manager for the barrier-free, arts-education organization, The Artists Mentoring Youth Project (The AMY Project).

Kate Supleve

Kate is a fundraiser and arts administrator who hails from Winnipeg, Manitoba and her career has taken her onstage, backstage and to the office. An Honours graduate of the University of Winnipeg’s Department of Theatre and Film, Kate has worked as Production Associate for Rainbow Stage, in both Audience and Fund Development for the Royal Winnipeg Ballet, and as Development Manager for the Royal Manitoba Theatre Centre. Additional work includes Assistant Director for Winnipeg Jewish Theatre, producer for Bravura Theatre, work with the Pantages Playhouse, and, like so many others, it all started with the Fringe.

 

Ray Hogg

Ray is a Black theatre artist known for creating and presenting virtuosic, visually stunning, viscerally moving theatre and live performance. He has over 20 years of artistic, educational and leadership experience in the most celebrated opera, dance, and theatre companies.

Ray is currently the Deputy Artistic Director of The Musical Stage Company, an Associate Artistic Director at Neptune Theatre and the Founding Artistic Director of Prime Mover Theatre Company. From 2012 - 2017 he ushered in an era of unprecedent artistic excellence and philanthropic growth as artistic director at Winnipeg’s Rainbow Stage.


What We Do.

We seek to redefine equity, inclusion and representation for the world stage one artist, one project, and one theatre at a time.

We advance marginalized artistic voices by:

  • helping to develop works by and about marginalized communities,

  • connecting flagship theatres and their leaders with underrepresented artists and their works, and

  • offering exposure, advocacy and professional development to artists who live outside of the dominant culture.

The Color Purple (Neptune Theatre), Directed by Kimberley Rampersad, Sets & Costumes by Tamara Kucheran, Lights by Leigh-Ann Vardy, Sound by Miquelon Rodriguez

The Color Purple (Neptune Theatre), Directed by Kimberley Rampersad, Sets & Costumes by Tamara Kucheran, Lights by Leigh-Ann Vardy, Sound by Miquelon Rodriguez


How we do it.

Co-Produce Live Performance Works that hit you in the gut and leave you wanting more.

We co-produce works that transform audiences through audaciously bold, unflinchingly honest, and stunningly executed story-telling. The scope of our work is epic. We exist to present live performance that is a feast for the senses.  Our work grabs our audience and doesn’t let go.  We broadcast the marginalized experience in all of its joy, pain, vitality, and tragedy at full blast.  Our artists’ work leaves a ringing in your ears, a song in your heart, and an aching in your gut.  WE GET UNDER YOUR SKIN.

Develop Master Playwrights & Masterworks

We support the creation and development of new Canadian classics by and about underrepresented voices which are produced on flagship stages and which shape how the world views marginalized stories and people

Under the Writer’s Block umbrella, Prime Mover Theatre Company’s  three-pronged new works development program, we will create inspiring, inventive, relevant multi-disciplinary works by the most exciting marginalized voices.

Provide education, outreach, and training for artists, aspirants, and art lovers at all stages of development

We nurture and develop world-class artists to imagine, create, and populate our new works and an educated audience to engage with them. Prime Mover Theatre Company provides mentorship and apprenticeship, training, professional development, and educational programming that builds community and capacity for deeper engagement with the performing arts for marginalized arts professionals and arts lovers.



Set Design by Ksenia Broda-Milian

Set Design by Ksenia Broda-Milian


Where we work.

The scope and reach of our work is national, with an emphasis on large scale theatres and production.

Our offices are in Tkaronto (Toronto) which is in the 'Dish With One Spoon Territory’.  The Dish With One Spoon is a treaty between the Anishinaabe, Mississaugas and Haudenosaunee that bound them to share the territory and protect the land. Subsequent Indigenous Nations and peoples, Europeans and all newcomers have been invited into this treaty in the spirit of peace, friendship and respect.

The "Dish", or sometimes it is called the "Bowl", represents what is now southern Ontario, from the Great Lakes to Quebec and from Lake Simcoe into the United States. We all eat out of the Dish, all of us that share this territory, with only one spoon. That means we have to share the responsibility of ensuring the dish is never empty, which includes taking care of the land and the creatures we share it with. Importantly, there are no knives at the table, representing that we must keep the peace. The dish is graphically represented by the wampum pictured above.

We have a shared and ongoing responsibility to care for this land and the people who have lived on it since time immemorial. There are many resources available to help you learn more about the historic treatment of Indigenous people and their land. Click here to find out how you can do your part in the ongoing Truth and Reconciliation efforts.


Why we do it.

We do it for our artists, for our communities.

We are driven to create a world where all artists and audiences have equal opportunities to see themselves, their stories, and their works on the largest stages across Canada.